Keep Lossless DNGs if have the space to spare, grumble to myself about keeping DNGs AND ProRes, backing up both over the years, or delete ProRes when I finish the project, if it bothers me that much! NARRATIVE Workflow: D16–>SlimRaw Lossless–>First Light in Resolve–>Export ProRes LT or ProRes for edit Wherever–>Roundtrip back to Resolve for final color, Export. Cross fingers and keep 5:1 as archival, delete original DNG. DOC / high shooting ratio Workflow: D16–> SlimRaw 5:1 Lossy–>edit within Resolve, Export from Resolve. More rambling below, only answer if you have the time and the interest. Here the second has the BMD Film to Rec 709 v2 LUT that comes with Resolve with a wipe to show the difference between the plugin’s BMD Film and the LUT. The plugin acts as the raw panel and then on nodes after you can do your grading. Here we have the plugin in action on a CFR file. Of course, it’s not perfect, but it does the job in real time. Highlight Recovery: I attempted to write a highlight recovery algorithm. D16 users should set this to 200 if they shot at exposure without underexposing or ETTR. So if you shot at 1600 ASA on the camera, put that here too, otherwise your exposure will be off. Use these to make the image exposure match what you were shooting at. I’m not exactly sure what options the Blackmagic cameras have, but these are the ones I thought to be most common. I know it’s weird, I just haven’t worked out the logic that works with the OFX API yet I’ll get it fixed eventually. The sliders also don’t affect the image unless you’re in Custom mode. The sliders will still show 6500 and 0 if you haven’t changed them.
#Slimraw mac update
The thing is the numbers on those sliders only update when in Custom mode. You get the normal options for white balance presets and two sliders for temperature and tint. Okay, this part’s a little quirky and is likely to confuse some people. In other words, it doesn’t bring the linear image to scene referred values where middle gray is 0.18, it gives the data as it was recorded. The Sensor RGB transfer function gives the linear data as if you were looking at the uncorrected, linear DNG image. The gamma slider affects only the gamma option. All of these are written according to their official documentation except for BMD Film (4K) which was added from the 12b LUTs included with Resolve. If you own or use an ARRI ALEXA Mini or AMIRA and want to utilize HDE after shooting ARRIRAW it is going to cost you.Again, I tried to get the most common transfer functions. Files, once decoded, are a bit-for-bit perfect match to the original file. Except that with Codex HDE, you can access the original pixel values that were encoded. An uncompressed Bayer pattern image can be reduced to a HDE file size not much larger than a corresponding ProRes 4444 XQ mezzanine file.
Uncompressed RAW data costs more to transport and store than compressed ProRes files. HDE is free-of-charge for use with Codex Capture or Compact Drives, openly shared, and fast. This lowers storage costs, shortens transfer times, and speeds up workflows, which translates to a direct 40% saving in time and money. What is High Density Encoding?Ĭodex High Density Encoding (HDE) uses sophisticated, loss-less encoding to reduce ARRIRAW file sizes by around 40% during downloading or later in the workflow.
#Slimraw mac pro
For good performance, CODEX recommends using a MacBook Pro or Mac Mini from 2018 or later as a minimum specification. HDE is applied during the offload process and performance is governed by available CPU resources.
#Slimraw mac full
Full details can be found in the FAQ section of the HDE page. HDE workflows through Device Manager are available on macOS only and require the use of a compatible copy tool such as Hedge, Offload Manager, Silverstack, Shotput Pro, or YoYotta. To be clear, it doesn’t save any space when you are shooting ARRIRAW, it only has benefits once you start to offload your material.
HDE is enabled through the implementation of a paid license. This saves your initial quality while drastically decreasing storage space and the number of hard drives needed when shooting in ARRIRAW. What this essentially means, is that when you are finished shooting ARRIRAW, you can use any CFast 2.0 card reader (including models with dual card slots and Thunderbolt connections) to then minimize ARRIRAW file sizes by around 40% by utilizing HDE.
#Slimraw mac license
ARRI ALEXA Mini and AMIRA users can now purchase a license to enable CODEX High Density Encoding (HDE) technology through the free Device Manager for their ARRIRAW workflows.
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